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Takashi Murakami, who has a PhD in nihonga painting, combines the most cutting-edge techniques with the precision and virtuosity of traditional Japanese art.
Inspired by anime and character culture, his irresistible world is peopled by monstrous and charming characters alike, facetiously portrayed as descendants of past myths.
Produced by Perrotin, 2026
Archival pigment print on Somerset White Satin 330gsm with deckled edges
Sheet: 22.5 x 30 cm | 8.9 x 11.8 in
Frame: 35.2 x 27.6 cm | 13.9 x 10.9 in
Edition of 35
Signed and numbered by the artist
Framed version is in a custom white wood frame, hinge mounted with spacers, and UV plexi surface.
Daniel Arsham’s uchronic aesthetics revolves around his concept of fictional archaeology. Working in sculpture, architecture, drawing and film, he creates and crystallizes ambiguous in-between spaces or situations, and further stages what he refers to as future relics of the present.
Always iconic, most of the objects that he turns into stone refer to the late 20th century or millennial era, when technological obsolescence unprecedentedly accelerated along with the digital dematerialization of our world. While the present, the future and the past poetically collide in his haunted yet playful visions between romanticism and pop art, Daniel Arsham also experiments with the timelessness of certain symbols and gestures across cultures.
Produced by Perrotin, 2026
Archival pigment print on Somerset Photo Satin 300 gsm paper with deckled edges
Print: 70 x 43.8 cm | 27.6 x 17.25 in
Frame: 12.25 x 49 cm | 31.1 x .19.3 in
Edition of 35
Signed and numbered by the artist
About the edition:
Nikki Maloof presents Tomato Plant -this limited edition print captures the distinctive tension in the artist's work imbued with melancholy, dark humor, and saturated color.
Combining representation and abstraction, Nina Chanel Abney’s paintings capture the frenetic pace of contemporary culture. Broaching subjects as diverse as race, celebrity, religion, politics, sex, and art history, her works eschew linear storytelling in lieu of disjointed narratives. The effect is information overload, balanced with a kind of spontaneous order, where time and space are compressed and identity is interchangeable.
Her distinctively bold style harnesses the flux and simultaneity that has come to define life in the 21st century. Paying homage to the sophisticated color theories of Matisse, continuing the legacy of cubists, Picasso and Léger, and connecting with the synesthetic sensibilities of Harlem Renaissance greats, Douglas and Lawrence, Abney brings these historical movements into contemporary pertinence.
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